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Fanfare Magazine Interviews Benedict Sheehan
Fanfare Magazine’s James A. Altena has a new must-read interview with Benedict Sheehan after the release of his Divine Liturgy of Saint John Chrysostom recording with the St. Tikhon Choir on Cappella Records: Benedict Sheehan is the artistic director of the Saint Tikhon Choir, at St. Tikhon’s Orthodox Monastery in South Canaan, PA (in the
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Women in Sacred Chant: Past and Present
In tandem with the album launch for “Hymns of KassianÃ,” this panel highlighted two dimensions of women’s contributions to Christian sacred music: as composers and as performers (singers). This history has been often marginalized or even disregarded in general histories of Christianity, yet it has been – and continues to be– important to the continuing
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Cappella Romana Brings Byzantine Chant to the Great Hall at the Hellenic Centre
Cappella Romana Brings Medieval Byzantine Chant to London Byzantine Chant Mini-Symposium & Recital at the Hellenic Centre The Hellenic Centre Cappella Romana, in collaboration with the School of Byzantine Music and the Archdiocese of Thyateira, presents a mini-symposium and recital of Byzantine chant. Leading liturgical scholars and musicologists from the UK and US discuss ‘The
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Robert Kyr Receives Arts and Letters Award
A Time For Life composer Robert Kyr has been awarded the prestigious Arts and Letters Award given by the American Academy of Arts and Letters. The award honors outstanding artistic achievement by a composer who has arrived at his or her own artistic voice. In addition to an honorarium, the award offers funds toward music
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Musical Style and Tradition in American Orthodox Churches: Chant and Polyphony
This webinar, “Musical Style and Tradition in American Orthodox Churches,” was hosted by Fordham University’s Orthodox Christian Studies Center in a co-presentation with Cappella Romana. For centuries differences in musical style – especially the distinction between chant (unadorned melody) and polyphony (music sung in multiple parts) – have served Orthodox Christians as aural badges of
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Online Explorations
Language in American Orthodox Music: Liturgical and Pastoral Perspectives Please join us for this webinar hosted by the Orthodox Christian Studies Center and presented in co-operation with Cappella Romana. It has often been asserted that it is the tradition of the Orthodox Church to worship in the local language. Yet the historical reality has been far more complex, with
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Kastalsky Requiem: Program Notes
Vasily Polikarpovich Titov (c.1650–c.1715) – Cherubic Hymn; Megalynarion Vasily Titov was one of two leading composers of Russian Baroque music, the other being Nikolai Diletsky (c. 1630–80). Titov’s life and work mark the mid-point of the process of Russia’s musical Westernization, which gained new momentum during the reign of Tsar Peter the Great (1689 –1725).
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Lost Treasures of Armenia
The Holy Armenian Apostolic Orthodox Church continues to embody a living tradition of primarily monodic vocal music of exceptional richness and beauty. Though its hymnography is traditionally believed to have commenced with the invention of the Armenian alphabet in the fifth century, and the Hymnal as a canonical collection was definitively closed in the fourteenth
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A Ukrainian Wedding (Program Notes from Nadia Tarnawsky)
The traditional Ukrainian wedding ritual lasts at least a week – sometimes longer. There are some variations from region to region and village to village, but the main outline of the ritual follows the same journey. The young couple is engaged. Various wedding items are made – the wedding bread, the wreaths for the young
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A TIME FOR LIFE Now in Rehearsal
A TIME for LIFE: Music for the Environment Cappella Romana is in residence this week working on Robert Kyr’s innovative new work on the theme of living in harmony with nature, “A TIME FOR LIFE.” (Click here for a sound sample of music by Robert Kyr). Artistic Director Alexander Lingas is shown above, conducting, with


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